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August 2004 Reviews by
RATING SYSTEM:
= GODDAMN!!!
= EXCELLENT
= VERY GOOD
= GOOD
= FAIR
= SHITTY
Dream: July 1, 2004
We were at some luncheon type function being held on a large grassy hill. After mulling around for a while we finally found a seat on the lawn and sat down to eat. Noticing a couple sitting to our right, we began a conversation with the young woman. We didn't take note of the man she was with because he didn't seem interesting. After chatting with the woman for several minutes we brought up the topic of the recent appearance by Natalie Cole at the White House. Our intent was to ask her if she had seen this and if she had noticed how stupid the President looked in a tuxedo. Before we had gotten very far into our story, some man came over and told the young woman that she was needed on the set. Apparently she was an actress and was working on some film nearby. In an attempt to continue our story, we then turned our attention to the man left seated next to us...who we only then realized was George W. Bush. Fortunately, we had not gotten to the part about how dumb the President looked in a tux...so we altered our story...saying how well Ms. Cole sang at the event (a lie, of course...). Unfortunately, by this point Mr. Bush decided that he was really enjoying this conversation and had focused his attention squarely upon us. This made us very uncomfortable. All we could do was try and figure out how to get away from him as quickly as possible. He was very irritating...plus we were very concerned that someone would snap a photo and it would then be all over the news. Suddenly there was a lot of activity going on at the filming nearby...so we got up to see if we could get a glimpse of what was happening. As we entered the crowd of onlookers we were surprised to see the young woman we had just been speaking with suddenly being thrown several hundred yards in the air during a stunt. She came down hard on some large conveyor belt and was either unconscious or dead. Everyone watching seemed to agree that she would not recover from the accident. As it turned out, the woman's name was Susan Turner. (We had never even heard of anyone by that name, of course.) Watching the accident unfold, we kept thinking "Oh God...we can't let anyone know that we were the last people to have a conversation with Susan Turner." We weren't concerned about the woman's condition at all...but we were very concerned that people in the media would try to talk to us about the tragedy and that we would then be drawn into the messy incident.
Then the dream ended.
* * * * * * * *
Astronaut - Times New Romance (CD, Pause
Music, Progressive pop)
Smooth, progressive, classy, jazzy pop. Regular readers may have noticed
the increased presence of Spanish bands on the babysue web site over
the past couple of years...in large part due to the exceptional releases
on the esoteric Acuarela
label. Readers will want to also take note of Pause
Music. If Astronaut is any indication of what this label
is about...then it is also one of Spain's best kept secrets. Astronaut sounds
something like a cross between Low and Tristeza. The band's
moody, spacious, progressive tunes feature vocal melodies as well as long
and involved instrumental breaks. There are no easy or catchy tunes here...only
beautiful and articulate landscapes of sound that serve as mood enhancers.
These compositions involve a wide variety of instruments. In addition to
the band's six permanent members, seven additional guest artists also lend
their talents to this album. Plenty of cool cuts here...including "Living
the Scene," "Empty Rhymes," "Camille," and "Wrong
Notes in Wrong Pockets." Thought provoking...and very cool... (Rating:
5+)
Bad Wizard - #1 Tonite! (Advance CD, Howler,
Record)
Bad Wizard is a group of five guys whose music sounds something like
a cross between Slade and Nashville Pussy. On #1 Tonight!
they plow away like holy hell...and the vocalist SCREAMS like HELL. Unlike
mere noise bands, however, these guys place a heavy emphasis on songs and
melodies. So...while the playing is loud and furious...there is always plenty
of meat to grab onto. Frontman/vocalist Curtis Brown is the obvious
focal point...his has a presence that is intense and crazed. His bandmates'
input cannot be underestimated, however, as they provide the solid foundation
on which he operates. This album is filled to the brim with thick fuzzy
guitars, throbbing bass lines, and kickass drumming. Much of the proceedings
here are influenced by bands like Motorhead and MC5. These
sassy badass fellows know how to rock out in the truest sense. #1 Tonite!
is a stripped down sexy trip into the world of modern rock...all the while
paying homage to bands from the 1970s and beyond. Great rock without the
frills... (Rating: 5++)
The
Belles - Idle Acres (CD EP, Second Nature Recordings,
Soft pop)
Smooth, thick, highly melodic moody pop. Kansas-based The Belles
write and record absolutely luscious soft guitar tunes that are damn near
out of this world. The plaintive understated vocals have to be heard to
believed. The folks at Second Nature Recordings went all out for this one.
The EP features a beautiful gatefold cardboard sleeve and booklet...but
it's the six tunes contained within that really pack the punch. The band
is the duo of Christopher Tolle and Jake Cardwell...two fellows
whose musical ideas each obviously support the other's. Together they make
music that is calming and just slightly surreal. Subtle hazy qualities breeze
in and out of these lovely tracks...giving the listener the feeling of floating.
Tracks such as "Idle Acres," "Left Arm Tan," "Don't
Write, Don't Call," and "Birds" are highly stylized...and
completely superb. Totally cool stuff from start to finish. (Rating: 5+)
Blackout Beach - Light Flows The Putrid Dawn (CD, Soft
Abuse, Experimental pop)
This is really strange...even by our standards. Blackout Beach
is the solo project of Carey Mercer, who is also a member of
the band Frog Eyes. Light Flows The Putrid Dawn is a truly
odd spin...sounding something like modern classical music with Don Van
Vliet (Captain Beefheart) on lead vocals. Mercer must be a great
fan of Trout Mask Replica, as many of these pieces would have easily
fit on that album. Rather than being a copycat artist, however, Carey uses
the ol' Captain's influence as a starting point...and then veers off in
his own bizarre directions. These compositions are decidedly unconventional.
There are very few familiar variables for the average listener to latch
onto. In many cases, the songs sound like two albums playing at the same
time...and at times the singing becomes random warbling. Fortunately, the
lyrics are included (and are well worth reading). Stuff this strange can
either get really tedious really fast...or really fantastic over the course
of the next dozen spins. For the time being, we're giving this one a 4 plus
simply because we don't know quite what to make of it... (Rating: 4+++)
The
Bon Mots - Le Main Drag (CD, Mellifluid,
Pop)
Extremely well executed upbeat pop with a difference. The Bon Mots
are Eric Chial (vocals, guitar, bass), Mike Coy (vocals, guitar,
bass), Chris Frantisak (keyboards), and Kevin Hoetger (drums,
vocals). Together, the four create pop music that is surprisingly unpretentious.
The tunes on Le Main Drag have a nice, clean sound...and feature
some very imaginative melodies. The band is based in Chicago. Unlike many
of their peers, these fellows don't wear dumb clothes and don't clutter
their tunes with noise and weird sounds. Instead, they prefer the straightforward
approach...allowing the listener to focus on their songs and lyrics. Some
of these tunes harken back to the British pop from the 1980s. Pretty cool
stuff. (Rating: 4+++)
Cafebar
401 - Cafebar 401 (CD, Wampus
Multimedia, Mid-tempo pop)
Rarely do we get a taste of Dutch underground pop. The music of Cafebar
401 is presented to the world by the open-minded folks at Wampus Multimedia..."an
indie label run by artists, for artists." The band is a guitar-based
pop quartet whose music sounds not unlike an updated, more normal, poppier
version of Split Enz. The vocals are particularly similar to Neil
Finn. The guys in Cafebar 401 look like regular guys...and their music
is almost...normal. While the band's tunes are upbeat and hummable, there
are some slightly dark threads running through the music that give it a
strange curve. The tunes on Cafebar 401 operate smoothly in mid-tempo
mode from start to finish. The band does occasionally display some rock
and roll tendencies but these tunes are, for the most part, rather subdued.
The band has already generated a good buzz in The Netherlands. With this
album, they are hoping to expand the boundaries of their influence. Infectious
tunes include "Full-Pro Disco!," "Something Worth Dying For,"
and "Bob Ross on Drugs." Good stuff. (Rating: 4+++)
Cheval De Frise - Cheval De Frise (CD, Sickroom,
Instrumental/improvisation/jazz)
Cheval De Frise is the French duo consisting of Vincent Beysselance
and Thomas Bonvale. Together, the pair present a different sort of
improvisational instrumental music. They create their tunes using an acoustic
guitar and drums...and that's it. Few folks could pull something like this
off...but these fellows do so with style and intensity. The playing ranges
from subdued to furious...and the passages range from simple and plaintive
to complex and wild. The many moods expressed on this album amplify the
complex minds of the individuals creating the music. Not only are Beysselance
and Bonvale not creating music for the masses...they're not even creating
music that will appeal to a very large segment of the underground market.
This album was originally released in Europe by Sonore Records. Because
of the strong positive reaction, the fine folks at Sickroom opted to release
it in the United States. Highly influenced by many early jazz artists, this
is an album that--in many ways--defies description. (Rating: 4++++)
Clambake - Gator in the Pool (British import CD, Gringo,
Rock)
Rough and raw rock...the real stuff. England's Clambake is
the duo of Andy Barker on 4-string guitar and vocals and Nick
Barker on drums and vocals. Together, these brothers create meaty rock
music that sounds something like a cross between The B-52s (musically)
and early Stranglers (the vocals are reminiscent of Hugh Cornwell)...with
a big whopping dose of American garage rock thrown in for good measure.
Gator in the Pool was recorded direct to 2-track tape in 2001. As
such, it captures the energy and excitement of a live performance. This
is not a glossy album. You won't hear lots of effects and overdubs, as the
band was apparently trying to capture the essence of their true sound. And
they effectively did just that. This is an exciting batch of tunes
that induce movement and dancing. It's a short spin...lasting just over
20 minutes...but in that amount of time, these guys provide more substance
than many bands provide during their entire career. Fun stuff, well executed...
(Rating: 4++++)
Claudia
Malibu - Star (Independently released
CD, Pop)
Classic pop by one of the best unknown bands in the world. Easthampton,
Massachusetts-based Claudia Malibu has been one of our top favorite
obscure delights since we were first introduced to their music several years
back. Since that time, the folks in the band have proven that they have
real staying power...and that they are only getting better with time. Star
is a bit different from the past couple of albums in that it was recorded
in a real recording studio by Frank Padellaro. As a result, the sound
is a bit more polished and consistent from song to song. In terms of tunes
themselves, the band has (thankfully) changed very little since their inception.
Star contains a wealth of subtle songs that possess peculiar qualities
that make them get better with repeated listenings. Claudia Malibu tunes
sound something like mid-period Kinks. Folks who dig The Village
Green Preservation Society will find a lot to love here. The band's
lyrics are wonderfully simple and normal...and their delivery is exceptional.
These guys don't bury their tunes in overdubs because they don't need to.
They have the good sense to realize that when you have a great melody...you
don't need to drown it out with unnecessary garbage. The band's tunes won't
blow you away on the first listen but will, instead, slowly creep into your
subsconcious and remain there forever and ever. Star is yet another
exceptionally genuine and sincere offering from four gentlemen whose music
transcends the genre of pop. Fantastic cuts include "Hollywood / Hadley,"
"Don't Worry About It," "Plain Jane," and "The
Right Thing." There are few artists...underground or successful...whose
songs can compete with the quality of these tunes. Highly memorable...and
highly recommended. Only 500 copies of this, the initial pressing, are being
offered...so you'd be best advised to click on the link above and GET IT
NOW. (Rating: 5++++)
Crappy Arm Stuff - The Best of Crappy Arm Stuff (CD/DVD set, R.A.E.,
Rock)
Crappy Arm Stuff is two people and fifty-four people who done joined
up with eighty-eight people for a big ugly thing that happens every once
or twice. The Best of Crappy Arm Stuff features a collection of items
from those things in the form of music and video. The CD features music
stuff and the DVD features video stuff. The people involved in this project
are rarely involved, as those along the sidelines seem to be handling most
everything. From the bitching wax of "Arm Muscle Magic" to the
damp anti-love drone of "Wristless Tragedies," this collection
don't prove everything. Some critics abuse the folks in Crappy Arm Stuff,
but they might as well stop. These people don't hear nor do they listen.
They can't play even if they are playing. They create in a vacuum and that
is partly what helps to salvage this auditorium. You can put it in a sack
and carry it around all day long. You can put it in your reefer and pout
about the weather. You can sploff it in your mink-grafter until the light
shines at the end of the funnel cake. You can chew, chew, chew and then
you can stop chewing. You can damn it. You can damn it to Hell. Caps off
to the ladies who wore their panties so proudly upon their party busters.
Crappy Arm Stuff just ain't what it isn't. (Rating: 1)
Division
Day - The Mean Way In (Independently
released CD EP, Pop)
Nice, smooth, progressive, moody pop. The Mean Way In is the second
EP from Division Day. Recorded in the summer of 2003 at San Francisco's
Tiny Telephone studio, this EP is full of intricate melodies and smart arrangements.
Within the space of six songs, this band proves they can compete with the
big boys. While providing music that is accessible and memorable...these
fellows also manage to retain artistic integrity. Nice mature compositions
include "Bad Black Moon," "There Is No Telling," and
"Wings and Bones." This EP features exceptional vocals and wonderfully
adventurous playing throughout. (Rating: 5)
The
Dwarves - The Dwarves Must Die (CD,
Sympathy for the Record Industry,
Rock/pop)
Something like a cross between Marilyn Manson, The Dickies,
and Redd Kross. The Dwarves are a hard hitting non-stop rock/pop
machine. Featuring one of the best cover images around, The Dwarves Must
Die is one hot and nasty little album. The front insert features a dwarf
being crucified while three nude chicks at his feet mourn the loss. Flip
the insert and all four are nekkid taking a shower together. Those who are
easily-offended or who lack a sense of humor should avoid this band. While
shock rock has become somewhat tedious and boring over time, The Dwarves
manage to inject about as much shock as an upbeat rock band can inject...while
still providing some damn fine songs in the process. We can even forgive
these guys for injecting some of their tunes ("Demented," "Massacre")
with the dreaded shit-hop-slop...mainly because they seem to be mocking
it rather than trying to utilize it as a credible style. These guys
are smart...as is evidenced in lyrics in songs like "Bleed On,"
"Dominator," "Go!," and "Downey Junior." The
majority of the lyrics are laugh-out-loud funny...yet they are delivered
with true sincerity. When these guys sing I wanna f*ck, eat, and f*ck
you up...it sure sounds like they mean it. Harsh, funny, raw, and irreverent...and
highly entertaining. (Rating: 5)
The Everyones - The Everyones (CD, Shock / Tee
Pee / Rubric,
Pop)
The Everyones changed their name from The Anyones to avoid
any potential confusion with another band. Now...how confusing is that?!?
Names aside, this Australian quintet create music that should appeal to
fans of The New Pornographers. The band's tunes are smart, well written,
and instantly memorable. The songs are upbeat without being too sweet...and
feature intriguingly unusual melodies that sound strangely familiar. Some
of the tunes on The Everyones are absolutely magnificent. "Here
We Are (La La Land)" presents the band at their very best and is easily
the strongest cut. While this band's material is strong, many of the songs
seem a bit too similar to one another. Other than this one minor flaw, however,
this is an extremely entertaining collection of tunes. (Rating: 4+++)
The Fall
- The Real New Fall LP (CD, Narnack,
Rock)
The Real New Fall LP is an alternate version of the album that was
originally released in the United Kingdom in 2003 on the Action Records
label. Bandleader Mark E. Smith wasn't satisfied with the overall
sound of the album. Accordingly, he stripped down the tunes, remastered
the album, and added two new tracks and two alternate remixes. Considering
the fact that most music is overproduced, we applaud Mr. Smith's endeavors.
The now sparsely arranged tunes on this album have a raw, naked feel that
is not unlike some of Iggy Pop's best material. There are few individuals
whose careers are as lengthy and as artistically credible as Mark. Despite
the fact that he has never achieved anything more than cult status with
his band and his music, he has continued to put out quality releases year
after year after year. The Real New Fall LP is pure proof of the
man's true staying power. This album will surely please old fans as well
as new. Despite the fact that The Fall have been around seemingly
forever, this album is both fresh and vital... (Rating: 5)
Julia
Fordham - That's Life (CD, Vanguard, Soul/soft pop)
That's Life, the eighth album from Britain's Julia Fordham,
is a wonderfully smooth and soulful affair. For those unfamiliar with the
superb stylings of Ms. Fordham, her music combines elements from classic
artists like Joan Baez and Phoebe Snow into her own eclectic
and seductive sound. Her voice is unusual in that she sings mostly in a
lower register...which immediately sets her apart from the average female
vocalist. As is always the case with Vanguard releases, the players and
the production on this album are top notch. The album has a nice, fat sound...yet
the tunes are neither overproduced nor drowned out by too many overdubs.
Fordham wrote and/or co-wrote all of the tunes on this album. Her vocals
are absolutely perfect for the style of music she writes. She sings in a
wonderfully understated style...never pushing too hard and always sounding
perfectly at ease. Soul pop simply doesn't get much better than this. Intoxicating
tunes such as "Sugar," "Jacob's Ladder," "Walking
on the Water," and "Guilty" are thoughtful and virtually
unforgettable. Highly recommended. (Rating: 5+++)
Crystal
Gayle - Sings the Heart and Soul of Hoagy
Carmichael (CD, Southpaw, Pop)
Crystal Gayle started out as a relatively predictable entertainer...providing
predictable music that sold millions. As she has progressed in her career,
however, she has chosen some rather unpredictable avenues in which to explore.
As a result, Gayle has now really blossomed late in her career...showing
just how broad and sweeping her focus really is. For this disc, Gayle takes
on the music of Hoagy Carmichael , one of the greatest songwriters
of the 1930s-1950s. Quite a task, considering how many artists have covered
Hoagy's material in the past. Not surprisingly, Gayle more that adequately
handles the task...making tired songs like "Heart and Soul" and
"Georgia On My Mind" sound fresh and now again. In the field of
cover tunes, intent in interpretation is everything...and that is what makes
Ms. Gayle's interpretations shine. Instead of trying to reinvent tunes,
she just puts her own heart and soul into them...thus instilling a new sense
of vitality and worth. Fifteen classics presented by one the classiest ladies
in the world of commercial pop. (Rating: 5)
The
Girls - The Girls (CD, Dirtnap,
Pop/rock)
A group of five Seattle men who call themselves The Girls. When most
bands attempt to revive the glam movement of the 1970s, they fail miserably...but
with The Girls, this is not the case. This could be because...even though
these fellows are obviously very concerned about their image and appearance...they
also write some damn good songs. The soundscape of Seattle is obviously
changing. A decade ago the city would never have spawned a band like The
Girls. They sound something like a cross between Jet (the 1970s band),
Sparks, The Cars, David Bowie, and Gary Numan.
And make no mistake, they sound absolutely nothing like Nirvana.
The band's trademark is the lead singer's spastic jerky voice. If you're
into guys wearing makeup and the whole glam scene, you will want to check
out The Girls. Despite the heavy emphasis on image...these guys have the
goods...and on this, their debut album, they do deliver. (Rating:
4+++)
The Graze - Iowa Anvil (CD, J-Shirt,
Indie pop)
The Graze is the one man recording project consisting of Louis
O'Callaghan. Iowa Anvil features an impressive combination of
sincerity and talent. Songs are Mr. O'Callaghan's main focus...and he has
come up with some real beauties here. Caressed in restrained arrangements
that allow the listener to concentrate on melody, these tunes possess a
nice flowing quality. By avoiding the normal clouded avenues of overdubbing
everything to death...this man's simple and pure recording style is refreshing.
This is not a perfect album. The louder numbers don't work nearly as well
as the softer tracks. But even with the imperfections, there are enough
classic moments here to make this a highly rewarding disc. Best cuts: "Devices,"
"Everything," "Doubt," and "Nostalgia." (Rating:
4+++)
Hellacopters - By the Grace of God (CD, Liquor
and Poker Music, Hard rock)
Stockholm's Hellacopters once again combine great songs with fierce
playing to create a killer rock album. While others have tried and failed,
these guys have built up a solid fan base because they are providing what
many fans want: A loud rock band with real substance. Begun in 1994, this
band has come a long way since their humble beginnings. And while By
the Grace of God is a highly produced, slick album...it still contains
all the trademark elements that the fans want. Hellacopters tunes sound
something like a cross between Kiss and Cheap Trick. The tunes
are simple and catchy and filled with dynamite electric guitars. These five
guys are tight, tight, tight on their instruments...and their music
makes their listeners want to move and PARTY. Yup, this is a loud party
band of the highest caliber. Which just goes to show that if they are given
the choice, most people prefer music that doesn't require much thought.
And that may just be what makes Hellacopters so endearing. They aren't trying
to be anything they're not. They're just long-haired rockers and they just
wanna play and have fun. The spirit is infectious, as their music has the
same effect on their listeners. Thick and full of melodic hooks, By the
Grace of God is proof that accessible music doesn't have to sound bad
(!). Excellent stuff from one of the best hard rock bands out there. (Rating:
5+)
Ill
Ease - The Exorcist (CD, Too Pure / Beggars
Banquet, Art rock)
Elizabeth Sharp is one of the strangest ladies in rock music. While
most folks know her as the original drummer for New Radiant Storm King...her
real meat can be found on her Ill Ease albums. Elizabeth's songwriting
style is difficult to describe. She seems to destroy any and all stereotypes...writing
and recording music that is purely and distinctly her own. She does not
play girlie pop nor is she an alternative weirdo screamer. Instead, her
music is a strange stream-of-consciousness type of experience...with plenty
of strange hooks and peculiar curves that throw the listener completely
off guard. At times...her music sounds like...it may have had too much to
eat or drink (?!?). The rhythms and melodies are loopy, peculiar,
slightly sloppy...and rather surreal. The Exorcist is the most polished
and well-produced Ill Ease album yet...but that still won't help sell this
CD to the masses. Ms. Sharp's music is just too peculiar and unfamiliar
for the average listener to handle. Some of the greatest albums of all time
seem to also be some of the poorest sellers. That is almost certain to be
the case with this album. That small base of fans who latch onto Elizabeth's
music will be fanatical. Others...will be completely lost...scratching their
heads, wondering what in the world she is doing. Fascinating cuts include
"Jersey-O-Matic," "You Know You Make Me Wanna Hate You,"
"Junkie Go Home (It's the Vibrations)," and "Boss Mayor."
A truly unique voice in a world of full of generic carbon copies. Highly
recommended. (Rating: 6)
Keane - Hopes and Fears (CD, Interscope,
Pop)
Sounding very much like a cross between Ben Folds and Queen,
the guys in Keane have a highly stylized and extremely polished sound.
The gentlemen in this British trio seem very proud of the fact that there
are no guitars to be heard in their music. Like Ben Folks, the impressive
part is how powerful they sound without them. Hopes and Fears is
a super slick album full of orchestrated pop with soaring melodies and smart
lyrics. The trio consists of Tom Chaplin (vocals), Tim Rice-Oxley
(piano), and Richard Hughes (drums). At times, Chaplin's vocals sound
almost exactly like Freddie Mercury...especially when he gets all
worked up. While the tunes on Hopes and Fears are strikingly beautiful
and smooth...they also come across sounding a bit calculated (i.e., the
guys sound as if they are trying a bit too hard to impress). That is not
to say this band has not succeeded, however. This is a very professional
collection of compositions that is bound to please most music fans. We just
feel that if they could lighten up and loosen up a bit...they would be truly
incredible. Top picks: "Somewhere Only We Knew," "She Has
No Time," "Bedshaped." (Rating: 4++++)
Kill
Yourself - Soft Touch of Man (CD, Gringo, Rock)
Tired of all the average, generic wimpy underground American rock bands
whose tired thrashing and bashing all sounds the same...? If so, you might
need a healthy dose of Britain's Kill Yourself. The band's thick
masculine music is noisy and abrasive...yet it is also quite thrilling and
inviting. Comparisons could be made to bands like early Gang of Four
and Harvey Milk...but that doesn't adequately explain what's happening
here. Suffice to say, the gents in this band are playing harsh underground
rock with a genuinely unique spirit. Their music is not simple nor is it
easy on the ears. The rhythms shift...jerking the listener like a roller
coaster...while the vocals are strained and urgent. The band releases their
material on their own Obscene Baby Auction (hilarious name...har har!)
label. The humorously-titled Soft Touch of Man has great cover art.
The front features a pooch whose snout has been restrained by a cage...and
the back features a rather comfortable, nice looking horsie. Word has it
that these guys are into masks and not wearing much clothing during their
performances. Yowsuh and goddamn!!! This is just the kinda stuff
that deserves your attention. Funny, intense, unique, and intelligent
music intended for a very small audience. Our guess is that these guys'
shows would probably be something like experiencing Austin's Ed Hall
in the 1990s. Seven crazy cockrockers here including "Moustache,"
"Coffee," "Binhead's Bad Ribs," and "Bad Ass ID."
This stuff is just TOO COOL (!!!). (Rating: 5+++)
Avril Lavigne - Under My Skin (CD, RCA,
Rock)
It's always difficult reviewing really popular artists because...well, mainly
because they're popular. Though some folks might not want to admit it, the
general public has tremendously shitty taste in music. The average
moron allows itself to be tugged around by its snout by idiot business people
who are only too happy to tell them what is and what is not hip. Avril
Lavigne is very, very popular...plus she's a very pretty lady. Accordingly...you'd
think her music would be a total load of crap...but it actually is not.
Sure, there are better artists around...but in the world of commercial music
this girl is at least providing something with some substance. Her tunes
are basic ballsy pop/rock with a hard edge and vocals that are way up front
in the mix (probably the biggest drawback to her overall sound). Lavigne
seems to have a tendency to wear some really bad looking clothing.
While this is seen as being very cool and hip...when you look at her objectively,
you can't help but think that this lady would look great wearing more conventional
items. Under My Skin is a decent album. The material is not mind
blowing...but it is better than most of the crap you see folks buying at
Walmart and Best Buys. Not incredible...but at least it's
listenable... (Rating: 4+)
Lolas
- Something You Oughta Know (CD, Jam,
Pop)
Crystal clear positive pop that will make you forget virtually everything,
leaving you transfixed...and floating in the clouds. Lolas return
with yet another stunning collection of unbelievably infectious material.
Singer/songwriter Tim Boykin's tunes sound something like a cross
between The Beach Boys and The Shoes...and they're just as
good as both. Like previous Lolas releases, Something You Oughta Know
harkens back to the days of 1960s and 1970s AM radio...when a catchy tune
was all you needed to ignite the airwaves. Despite the fact that this band's
music is light years beyond most everyone else...they are unfortunately
doomed to obscurity in the United States because the style of music they
play is not hip and cool. On the positive side, however, there are plenty
of folks in other countries around the world who have already latched onto
these folks' positive vibe...so Lolas will most likely be touring outside
the U.S. for the folks who really appreciate them. Readers need to hear
Boykin's vocals to realize how incredibly talented this man is. He seems
to toss great songs off the tips of his fingers like salad...while singing
with a voice that is absolutely pure and pitch-perfect. A nearly perfect
collection of home runs. (Rating: 5+++)
Low Millions - Ex-Girlfriends (CD, Manhattan,
Pop)
Low Millions is a slick pop band headed by Adam Cohen. In
addition to Cohen, the band includes Michael Chavez (guitar), Jorgen
Carisson (bass), and Eric Eldenius (drums). Blasting out of the
gates with "Eleanor" (this is not the swell tune by The
Turtles), this band immediately proves that they are a force to be reckoned
with. Ex-Girlfriends is chock full of soft romantic pop tunes that
feature Cohen's super smooth vocals. These compositions feature impeccable
arrangements. In this case the super slick production works in the band's
favor...making their lovely and rather dreamy pop tunes hold up to many
repeated spins. In addition to the throwback idea of shoplifting a song
title from The Turtles, the band grabs yet another idea from the past...opting
to name one tune after the band name itself (the beautifully haunting "Low
Millions"). This band isn't just looking back, however. Their pop is
decidedly forward thinking...technologically up-to-date...and chock full
of great melodic hooks. In addition to the previously mentioned cuts, heady
classics include "Here She Comes," "Julia," and "100
Blouses." Smart stuff indeed. Recommended for fans of 10CC,
Crowded House, and Rooney. (Rating: 5+)
Mclusky
- The Difference Between Me and You Is That I'm Not on Fire (CD,
Too Pure / Beggars
Banquet, Electronic pop/rock)
The third album from Wales-based Mclusky. This oddly-titled release
features harsh industrial pop that sounds not unlike a cross between Babyland
and PIL. The band combines traditional instruments with thick and
harsh electronics to create hard pop that is decidedly British...spilling
over the brim with attitude. The band consists of Andy Falkous (vocals),
Mat Harding (drums), and Jon Chapple (bass). The tunes on
The Difference Between Me and You Is That I'm Not on Fire seem decidedly
out of step with what is currently happening in pop music. The band's tunes
combine elements from 1980s and 1990s obscure pop artists...chewing them
up and spitting them back at an audience who may or may not be listening.
The lyrics seem particularly interesting...as is evidenced on the tunes
"That Man Will Not Hang" and "Your Children Are Waiting for
You to Die." It is doubtful that the band will find an American audience
as their music would sound too unfamiliar to most. In their native country
and throughout Europe, however, they may very well find a ready and waiting
base of loyal fans. Our favorite is the almost normal sounding "She
Will Only Bring You Happiness," which brings to mind some of the more
accessible material from Television Personalities. Interesting material
coming from a different perspective. (Rating: 4+++)
Mock
Orange - Mind Is Not Brain (CD, Silverthree, Progressive pop/rock)
Mock Orange is a peculiar band. What they're doing isn't so peculiar
but rather...it is the way they are doing it. By piecing together
very familiar sounding melodies and musical arrangements...these fellows
manage to come up with a very unique overall sound. We've heard all of the
ingredients on this disc before...but we have never heard them pieced together
in such odd conglomerations. The band's guitars sound like what you would
hear in a loud alternative screamer rock band...but they are layered over
a rhythm section that is subdued and somewhat jazzy. In terms of vocals,
the singer is basically a pop singer...crooning along softly while the band
most often is playing really, really hard and/or complex music. One thing
is for certain...if you like bands who play predictable, samey tunes...this
is not the band for you. Mind Is Not Brain is full of complex
stuff which most will find challenging. Surprisingly accessible vocal melodies
are present throughout. Two other pluses...Mock Orange is on the Fairfax-based
Silverthree label...and they seem to really like animals. These guys are
doing things right...as is evidenced by sharp, clever tunes like "Payroll,"
"East Side Song," and "I Can't Seem To Think." Something
like a cross between 1970s progressive rock and the current wave of smart,
loud alternative rock bands. Neat. (Rating: 5)
Jeremy Morris - Still Waters (CD, Jam,
Instrumental/new age), Fruit Tree (CD, Jam,
Instrumental/new age)
As if it weren't enough that Jeremy Morris runs his own label and
distribution company (Jam Records), records a non-stop avalanche of incredible
pop albums, and plays concerts at various music conferences...he also finds
the time to record instrumental/new age albums that are distributed in Spain
by Astral. Each of these two albums delves into Mr. Morris's softer and
more personal side...Still Waters by means of acoustic guitars and
Fruit Tree by means of a grand piano. Both of these albums were produced
by Bill Allgood in Atlanta, Georgia. It is amazing indeed that any
one man can be so accomplished at so many things simultaneously. Jeremy
Morris is, indeed, something of a superman in the world of underground music.
Few can match his output and enthusiasm. And to top it all off...he has
impeccable musical taste. We are not personally well-versed enough
in this style of music to be able to rate these albums...but we will
say this. If Jeremy's name is on it...you know it's a quality release.
What we'd like to see one day is a Jeremy Morris tribute album...so
that all the people he has helped for so many years can show their appreciation
and support by covering his material. Now that would be something...!
(Not Rated)
Multi-Panel - Alone in the Field (CD, Unschooled,
Collage pop)
Soothing, unpredictable, artsy collage pop. The tunes on Alone in the
Field are abstractions to say the least...most of the tunes don't depend
on ordinary ingredients like melody, lyrics, and typical arrangements. Instead,
these compositions are free-flowing pieces that breeze by like the clouds
overhead. Ludo Maas (the man who is Multi-Panel) creates music
that is decidedly peculiar and unconventional. His intent is not to make
music that sells but rather...to make music that effects others in ways
that most music doesn't or cannot. Unlike most musicians who dabble in experimental
territory...Maas makes music that is calming and very easy on the consciousness.
Some of the tunes (particularly "Night Standard Drummers") are
even surprisingly normal. In a world in which so many artists sound like
carbon copies of one another...folks like Ludo Maas are getting harder and
harder to find. Strange compositions include "A Day For War,"
"The Old Times," "Alone in the Field," and "Escapism."
Intriguing. (Rating: 5)
Murder City Devils - Rock & Roll Won't Wait (DVD, Music
Video Distributors, Rock)
Prior to viewing this DVD, we were not familiar with the Murder City
Devils. Done properly, a music documentary will either make you love
a band or hate a band. Rock & Roll Won't Wait had both effects
on us. This is a collage-type documentary presenting an underground rock
band who gets a couple of big breaks...opening up for Pearl Jam and
Motorhead. The best footage is of the band playing in small clubs.
The throwaway footage consists of virtually all of the interview segments.
The five folks in Murder City Devils seem to be playing music for the right
reason which is...to have fun and entertain others. That being said, their
music is not highly original. Though they may not want to admit it, their
tunes are highly reminiscent of 1970s punk bands. Their playing is spirited
and genuine, however, and they seem to truly enjoy entertaining a crowd.
The documentary does succeed in showing what the life of an underground
rock band is like. It is not an easy life...which is why so many folks sustain
themselves by abusing drugs and alcohol. Interestingly the hardest working
person in the band seems to be...Gabe (the band's roadie). The two
bonus studio videos at the end of the disc probably best show what these
folks actually look and sound like. While not a great view, Rock &
Roll Won't Wait does achieve its objective...which is to offer a glimpse
of what the music and the people are like in this band. (Rating: 4+)
Nedelle and Thom - Summerland (CD, Kill
Rock Stars, Pop)
Things certainly have changed with the Kill Rock Stars label since their
inception...and Nedelle and Thom are a good case in point (!). Far
from being an alternative noise band, this duo creates purely slick pop
that is purposely catchy and accessible. Nedelle Torrisi and Thom
Moore wrote and/or co-wrote all of the tunes on Summerland. Their
songs are light, airy, and upbeat. Using a minimum of instruments in order
to get their point across, the pair manage to come up with some positively
uplifting pop tunes. Torrisi's vocals are an integral part of the duo's
sound. Her voice is super smooth...and she sings with ultimate ease. While
this album was released by Kill Rock Stars, it was recorded and mixed by
Andy Hong at Kimchee Records. As a result, the sound is nice and
clean without being overly slick and without sounding like processed cheese.
Cool cuts include "You Take Me You Break Me," "Puddle At
Your Toes," and "Cute Things." Truly good stuff...and very
CLEAR! (Rating: 4+++)
Octet - Cash and Carry Songs (CD, Plain
Recordings, Abstract/cut and paste/electronic/pop)
Do not adjust your computer. Do not adjust your CD player. The tunes on
Cash and Carry Songs are supposed to sound that way. Resembling
something like a cross between Air and The Lemon of Pink (more
the former than the latter), Francois Goujon and Benjamin Morando
write and record puzzling sound pieces that sound simultaneously familiar
and unfamiliar. This album provides a nice mix of songs that range from
soft and soothing to cold and peculiar. Despite the variety of the material,
however, Cash and Carry has a cohesive overall sound. Goujon and
Morando aren't trying to make music that is difficult and unlistenable but,
rather, to make somewhat accessible music that occasionally requires a bit
of additional concentration. French electronic artists have gotten better
over time...and Octet is a case in point. Though slightly uneven
in terms of quality, Cash and Carry Songs is a pleasing spin. Best
cuts: "Hey Bonus," "Brick-O-Lizer," "Trackball
of Fire." (Rating: 4++)
The
Orb - Bicycles & Tricycles (CD,
Terra Firma / Sanctuary Records Group / BMG,
Electronica/dub)
The original electronic pioneers are back...with yet another startling collection
of heady, upbeat compositions. Over the years, the folks in The Orb
have provided the soundtrack for modern mind expansion. The band's music
can either be taken as is...or simply "taken with." The use of
dub-like rhythms, cut-and-paste recording techniques, and trickling electronic
noodling combine to create trippy and ethereal material. Bicycles &
Tricycles is slick and calculated...yet the album is warm and inviting.
The songs, for the most part, follow familiar paths from the band's earlier
albums. Eleven humorously-titled cuts present music that will please old
fans and lasso some new ones. Track number two ("Aftermath") would
have been better left out as it disrupts the overall flow. (Why is it
that so many artists feel the need to include at least one crap-hop number
on their albums...a very bad trend indeed...eeeeeeyuch!!!) Not the band's
best album...but certainly a welcome addition to their catalog. Another
CD bound to be embraced with (or without) ecstasy... (Rating: 5-)
The
Paybacks - Harder and
Harder (CD, Get Hip, Rock)
Old school hard garage rock with a slight bluesy edge. The Paybacks
play genuine rock and roll that sounds something like Faces (from
way back when). These folks play no-frills gritty rock music that is purposely
lacking overdubs and polish. The playing is hard and heavy...and vocalist
Wendy Case has a voice that'll knock the socks off virtually and
and all potential listeners. Her vocals are undeniably similar to a very
young Rod Stewart...but much rawer. To put it simply, Harder and
Harder is a great goddamn little hellraiser of an album. The guitars
are thick and meaty...and the rhythm section is an all-out perpetual sweatbleeding
assault. Prior to the release of this album, The Paybacks were already a
favorite among critics. This l'il sucker oughta be the one to boost their
career about fifty notches. Excellent hard rock that will stand the test
of time. Cocksucker rockers include "When I'm Gone," "Today
and Everyday," and "You and Your Friends." Killer stuff.
(Rating: 5+++)
Pigmy
Love Circus - The Power of Beef (CD,
Go-Kart,
Rock)
Nice thick ballsy rock music with a slight sludgy feel. The guys in Pigmy
Love Circus have been around since the late 1980s...but this, their
latest album, was sparked by the band's regrouping a couple of years ago.
The best known member is drummer Danny Carey, who is also the drummer
in Tool. Rounding out the band are Michael Savage (vocals),
Peter Fletcher (guitar), and E. Shepherd Stevenson (bass).
The Power of Beef is an upbeat...yet very heavy...album. The band
has a really masculine sound that is anchored in heavy rhythms and big juicy
guitars. Savage's vocals are right-on for this style of music. Rather than
going with a big label, the band made the intelligent choice to release
this through underground heavyweights Go-Kart. As such, the album obviously
sounds just like the band wanted it to. Plenty of cool hard rockers here
including "Livin' Like Shit," "Drug Run To Fontana,"
"Bad Luck," and "Madhouse Clown." Great loud stuff that's
sure to getcha movin'... (Rating: 5)
Pine
Tree State Mind Control - Vast Right-Wing
Conspiracy (CD, Voidstar
Productions, Electronic)
We have been instructed not to review this disc.
Pinkie
- Sharon Fussy (CD, Planting
Seeds, Soft pop)
Pinkie is the one man recording project consisting of Alex Sharkey.
The cover art on Sharon Fussy is confusing...perhaps wrongly leading
potential listeners to believe that this is either a collection of vaudeville
or show tunes. This assumption would be way, way, way off base...as
Sharkey writes and records plaintive, melodic pop that should please fans
of Sarah Records releases. This album features calm, relaxing, and personal
compositions full of soothing vocals and understated instrumentation. The
overall mood is dreamy and subdued. Sharkey doesn't seem as if he is trying
to impress anyone but rather to extract and examine his own artistic impulses.
Recorded in Sussex, England...Sharon Fussy is a highly rewarding
collection of lovely understated pop. Fourteen tracks including "Outside
My Window," "Say After Me," "Want It To Work This Time,"
and "There's Always Sometimes." (Rating: 4++++)
Puppets
Who Kill - The Complete First Season
(Double DVD, Music Video
Distributors)
Some really funny stuff here. It is rare when a DVD makes us laugh out loud...and
this collection of the first series of the Canadian television show Puppets
Who Kill did just that. This double DVD set features a whopping 300
minutes worth of the show which features Cuddles (a puppet/doll designed
to help people with their problems), Rocko (a badass chain-smoking
dog), Bill (a ventriloquist dummy with a fondness for offing his
partners), Buttons (a manipulative bear with one eye replaced by
a button), and Dan...the kindhearted man who runs the halfway house
designed to help the murderous puppets find their way back into society.
Dan and the puppets get into all kinds of wild predicaments which usually
resolve themselves (but not always) by show's end. In one particularly extreme
episode, Dan is trying to force himself to hug and kiss an elderly male
corpse...while Buttons is eating a nurse's crotch in a hospital which results
in lethal bacteria being released...while Bill (the dummy) is about to have
a lobotomy. You'd think with these types of situations that the mood would
be offensive and hostile...but that would be an incorrect assumption. The
real beauty of this show is how playful and lighthearted it is. The writers
take potentially violent and intense situations...and make them seem extremely
light and playful. The overall mood is more similar to Frazier or
Alf than your average underground shock crock art film. The interaction
between the real actors and actresses with the puppets is exceptional. They
communicate so freely and genuinely that you almost forget that they are
talking with puppets. This show is not for everyone, of course. Folks who
are easily offended would still be advised to steer clear. Open-minded folks
will most likely get plenty of mighty jolts from this show. The writers
are exceptional and execution is priceless. Life observations abound...offering
more than just a mere platter of chuckles. The creators thankfully did not
pepper the show with canned laughter (!). There's a lot more going on here
than mere shock value. Puppets Who Kill is a very unique...and very
smart production. Intriguing and inventive. (Rating: 5)
Quant - Crossies Count (Independently released CD, Progressive
rock/pop)
Crossies Count is a truly creative musical adventure. This album
features absolutely stunning and perplexing lyrics that are light years
beyond what we are accustomed to hearing. The lyrics...and even the vocals...are
strangely reminiscent of Steve Harley (Cockney Rebel). The
blurry use of grammar and the confusing imagery are wonderfully refreshing.
Quant is an almost purely artistic endeavor. The folks in this band
don't seem to give a damn about sounding like anyone else, having a hit,
or garnering an audience. Instead, they are following their own strange
muse...wherever it may lead them. The music ebbs and flows...transforming
and mutating as it churns along...giving no indication of what may come
next. The unpredictable nature of this music will certainly limit the band's
fan base. Most people want something familiar to latch onto. Some of the
ideas are slightly familiar here...but they are utilized in such unorthodox
ways that they seem entirely new again. It is difficult to describe Crossies
Count because there are few references and accurate comparisons that
can be made. The band consists of Blake Henderson, Gary Henderson,
Andy Poulson, and Chris Fuhriman. The cover artwork...courtesy
of Jared C. Snow...is wonderfully bizarre. Six lengthy, challenging
compositions here include "The Graham Cracker Song," "The
Joke," and "The Crying Girl in a Very Small Room." Favorite
lyric: I know that when the clock returns its sticky, laughy hand to
twelve that I'll be no more found than anyone around. Absolutely cool
and unusual music. Exceptionally smart and entertaining. (Rating: 5++)
Jonathan Richman - Not So Much To Be Loved As To Love (CD, Sanctuary
/ Vapor, Pop)
There are few artists indeed whose music has been embraced by such a wide
spectrum of people. Jonathan Richman is living proof that personality
and intent mean everything. For the average listener, even to this
day the majority of Richman's recordings would be considered unfinished
or even amateur compositions. But for the audience who embraces him and
hears what he has to say, Jonathan's music is pure genius. Not So Much
To Be Loved As To Love presents more of Jonathan's softer side. He produced
this album himself which may explain why the tunes have such a sparse, naked
sound. After decades of making music, any other artist would have fallen
prey to overproduction to compensate for the fact that they can no longer
come up with credible material. This man's songs have always been strong...never
needing unnecessary padding. Jonathan Richman has always been...and probably
always will be...a true original. He has developed a sound and style
all his own...that virtually no one can imitate. Thirteen cool cuts
here including "Not So Much To Be Loved As To Love," "Vincent
Van Gogh," "Behold the Lilies of the Field," and "On
A Du Soleil." Another lovely addition to a catalog that continues to
impress. Excellent, as always (!). (Rating: 5+++)
Roadkill
(DVD, Music Video Distributors)
Directed by Bruce McDonald and written by Don McKellar, Roadkill
is a a beautifully filmed story about a girl who goes off to retrieve a
touring rock band and ends up hooking up with several unlikely characters.
Shot in black and white, the movie is full of great images. The soundtrack
is also excellent, including cuts by The Ramones, The Razorbacks,
and more. Unfortunately, the script and/or the story line is so weak that--for
all of its positives--Roadkill just is not very entertaining. It seems to
meander and curve, ultimately going nowhere. Every time you think something
interesting is going to happen, it doesn't...and the story line just continues
to dribble out until the end. That wouldn't be such a big problem if the
lines were good...but they aren't. Even the cameo appearance of Joey
Ramone doesn't salvage this one. It's worth watching once just for the
visuals...but overall, this one just doesn't cut it. The acting is weak
throughout. This is what won the 1989 Toronto Film Festival Best
Canadian Film award? Hmmm...they must not have very high standards. (Rating:
3-)
Pat Robertson - I've Got Fingers On My Fingers (CD, Applebail,
Pop)
Christian crusader Pat Robertson comes clean with the public...offering
an album of tunes that pop the top off of something. I've Got Fingers
On My Fingers is a surprisingly dinky collection of tunes that will
please the average citizen. Mr. Robertson has never been known to do anything
and yet, at the same time, he does very little at all. The album begins
with "I've Got A Negro Growing Inside My Sugar Packet," in which
Pat admits that he was impregnated by a dandy old street woman. Following
is "My Blood Is Jesus and Jesus Done Got Blood On My Carpet."
The song is somewhat confusing in that it is a song about faith and the
obstacles it provides. From this point forward, the album gets rather odd.
Instead of singing in his regular voice, Robertson goes into a super high
falsetto...singing and acting like a retarded woman on goat speed. As he
snorts and shoots himself into criminal ecstasy, he sings of masturbation
and little gray bambies. As the bambies grow up and get frosted, he eats
the beaters with monster delight as he cracks the diamonds that go ping
in the night. While they dance and envision the damage they flower, they
panic and distance themselves with a plower. The plower is nuggets and the
nuggets gets damned, while Pat lets his package get crushed in the town.
The album ends with "Yacky Doodle Is In My Pumpkin Noodle"...a
wild rocker complete with references to heroin and dune buggies. Accomplished
in a childish sort of way... (Rating: 1)
Omar A. Rodriguez-Lopez - A Manual Dexterity - Soundtrack Volume 1 (CD, Gold Standard Laboratories,
Soundtrack/eclectic)
Best known as a songwriter in The Mars Volta, Omar A. Rodriguez-Lopez
also dabbles a lot on the side. A Manual Dexterity - Soundtrack Volume
1 is the first soundtrack CD to be released featuring music from the
soon-to-be-released film A Manual Dexterity. As such, this album
contains over 60 minutes of material that goes all over the place. Some
of the tunes are atmospheric...others rock...others sound jazzy...while
still others are just plain strange. Whatever style of music he approaches,
however, Rodriguez-Lopez manages to create with integrity and style. It
is extremely easy to forget this is soundtrack music...and to just play
it for sheer mood enhancement. Many of the tracks are quite trippy and slightly
surreal. While this is not likely to reach a large audience that is a shame...because
the quality of the music is exceptional. The guitar playing is particularly
incredible. Excellent material from start to finish. Recommended. (Rating:
5+)
Sahara
Hotnights - Kiss & Tell (CD, RCA, Pop/rock)
RCA scores yet again with Sweden's all-female group Sahara Hotnights.
Other major labels could learn a thing or two by taking note of recent signings
on the RCA label. Despite their size and influence, the label signs bands
with real artistic integrity...and the surprising part is that...the bands
actually sell CDs (!). This just goes to show that the public actually
will...at least occasionally...support good bands. The four ladies
in Sahara Hotnights don't fit into the usual molds. First, they are from
Sweden...yet they sound like an American band. Second, they aren't into
bizarre imagery with regards to their clothing and hair. Nope, instead these
four girls look very normal and play simple, direct rock music in the grand
tradition of bands like The Go-Go's and Blondie. Their songs
are full of hooks and enthusiasm...and they hold up to repeated listenings.
In less than 35 minutes...these ladies manage to pack in some mighty solid
entertainment. Top picks: "Who Do You Dance For?", "Empty
Heart," "Mind Over Matter," "Hell," and "Hangin'."
Excellent. (Rating: 5++)
Saso - I Can Do Nice (CD, Melted
Snow, Pensive pop)
This album could have been named Saso...Unmasked! Invisible for the
first few years of their existence, the gentlemen in Saso have finally
revealed their names and faces. The duo is Jim Lawler and Ben
Rawlins. Together, these fellows have been creating wonderful underground
pop for some time now. I Can Do Nice is somewhat of a continuation
of previous projects. Recorded at three separate locations in Dublin, the
album is the most polished collection of recordings thus far from Saso.
The idea remains basically the same however. Lawler and Rawlins write and
record soft, thoughtful pop music that has a slightly ambient feel. As the
months have passed the duo's music has become more and more stylized. If
there is one word to describe what these fellows do it most certainly is...tasteful.
Everything that we have seen and heard from Saso has been extremely well
conceived and packaged to perfection. And it is all done in extremely good
taste. If all underground artists held such high standards with their projects...there
probably wouldn't be any need for big record labels at all. But back to
the album at hand. I Can Do Nice is a strange blend of sound and
melody...very dreamy, somewhat surreal, and slightly hypnotic. These compositions
are beautifully crafted and well executed. Ultra-satisfying tracks include
"Trapped In Ice," "System Error," "Artefact,"
and "Pass It By." Exceptionally beautiful material from start
to finish. Highly recommended. (Rating: 5+++)
See
Venus - Hard Times for Dreamers (CD,
March, Pop)
Exceptionally smooth and melodic mid-tempo pop. Formed in Miami, See
Venus is a talented and inviting quintet whose music is highly reminiscent
of Britain's Birdie...and slightly similar to Sweden's Komeda.
Unlike most albums, Hard Times for Dreamers was recorded over a period
of several years as the band members have real jobs and other activities
that they are involved in. Perhaps as a result, these tunes are like finely
polished gems and feature sparkling arrangements. The nine cuts on this
album are gliding, soothing, and thought-provoking...and feature some of
the best vocal work this side of Neptune. These folks layer their tunes
with healthy doses of keyboards and backing vocals...but they do so with
taste and style. Rarely does lite pop sound this neat. See Venus create
music that competes with some of the best out there...and that is saying
something considering how their careers have only just begun. Cool cosmic
compositions include "Trust," "Nothing Lasts Forever,"
"Each and Every Word," and "Shine Like Stars." Great
stuff here. Absolutely great. (Rating: 5+++)
Coyote
Shivers - Gives It To Ya. Twice. (CD,
Foodchain, Rock)
Coyote Shivers returns with a big double disc. Disc One, the "electric
album", is entitled One Sick Pup. The album features aggressive
rockers in the grand tradition of bands like The Stooges, The
Cramps, and The Dictators. Shivers and company provide plenty
of solid hard rockers that feature plenty of insider lyrics. Disc Two, the
"acoustic album", is entitled From My Bedroom, To Yours.
The disc features Coyote alone with an acoustic guitar. What is most interesting
about this double disc set is how well both discs work. Each stands up on
its own...and also complements the other. While this young man is still
relatively unknown, virtually all of his tunes sound like instant classics.
Shivers is an artist who...with the right amount of luck...could very easy
make the transition into being a really big rock star. Gives It To Ya.
Twice. is a solid package with plenty of kickass tunes. Pretty neat.
(Rating: 4++++)
The
Silos - When the Telephone Rings (CD,
Dualtone, Pop/Americana)
You'd think after all these years that The Silos would either be
burned out or boring...but neither is the case. Where these guys are concerned,
consistency is the rule...and When the Telephone Rings is yet another
consistent and thoroughly entertaining album to add to the band's growing
catalog. The Americana genre has gotten a rather rap over the past few years
because so many average and boring bands have jumped on the bandwagon. Unlike
the imitators, these guys deliver their music with unique style...and they
always manage to come up with some damn good tunes. You'd think after all
these years that lead singer/guitarist Walter Salas-Humara would
have leapt off on a solo career...but he has not yet done so (thankfully!).
(Just goes to show that at least some successful folks are not purely
driven by ego.) The man's songs and voice have changed little over the
years, much to the delight of the band's healthy fan base. Despite the fact
that the band is driven by Salas-Hamara, Drew Glackin and Konrad
Meissner's contributions should not be underestimated. Glackin's smooth
lap steel is a huge element in the group's overall sound...and Meissner's
steady, subtle drumming provides the perfect base upon which everything
balances. Produced by Salas-Humara and mixed by Dave McNair...When
the Telephone Rings is yet more proof positive that The Silos have real
staying power. Top picks: "The Only Love," "Ready For Anything,"
"15 Days." (Rating: 5+)
Jessica Simpson - Little Girls Love Me Because I'm Phony and Pretentious
(CD, Alpho, Tragedy pop)
On her latest album, Jessica Simpson finally comes clean for the
majority of her tiny little screaming fans. Little Girls Love Me Because
I'm Phony and Pretentious is a confession of sorts from a woman so obsessed
with her looks that she doesn't really know what's going on anymore. Surprisingly,
this collection of tunes offers some real insight into the way Ms. Simpson's
mind works. "If I Knew Your Daddy I'd Be Giving Super Sloppy Birth
To Your New Little Baby Sisters" is a heckle-fair of come-on's and
weather-may-care's. The kissing sounds that bleed in and out of "Even
My Turds Are Bleached Good" offer surreal effects and smushy little
secrets. Simpson takes out her vaginal moisturizer for the dance club hit
"My Asshole Is Invisible and Clean" (word has it that the video
was pulled from distribution because of the vulgar language Jessica used
during the shooting). The last few cuts ["I'm Your Super Biggest Dolly
That You Can Only See On T.V.," "My Hollow Goddamn Head,"
"If You Try Really, Really Hard, One Day You Might Be Successful Like
Me (But Don't Count On It)"] are perhaps the most honest and resistible
songs Simpson has ever recorded. Folks who don't care about little girls
probably won't be interested in this album, but that's a shame...because
every ignorant moron in the world is nothing more than another worthless
little girl just waiting to blossom. (Rating: 2)
Slowsix - Private Times in Public Places (CD, Habit
of Creation, Instrumental/experimental/electronic)
If you're looking for dance mixes or songs about cute love affairs...you'd
be best advised to steer clear of Slowsix. Playing anything but
predictable, accessible music...this group of artists is playing for a small
audience. The three lengthy pieces on Private Times in Public Places
(each lasting 20 to 30 minutes each) veer in and out of classical music
and electronic experimentation. The overall tone is subdued...and the songs
have a slightly hypnotic effect on the listener. Considering the number
of musicians involved in this project, the compositions are surprisingly
sparse. The band members' travels take them into the arenas of background
noise...articulated playing...drone...and back again. While the music is
difficult to describe, the effects of the recordings are definite. The folks
in Slowsix are providing a peculiar sort of modern mood music for a small,
enlightened audience. This is an art project first and foremost. As such,
you won't be hearing "This Is Your Last Chance (Before I Sleep)"
or "The Lines We Walked When We Walked Once Together" in your
local retail chain anytime soon. The folks at Habit of Creation are in the
business of challenging music listeners...and they have, once again, accomplished
their goal. An excellent album...very tasteful, very restrained, and somewhat
eerie... (Rating: 5+)
Soap
Star Joe - ...Tell Her on the Weekend
(CD, Laughing Outlaw,
Pop)
The debut album from Australia's Soap Star Joe. While the band's
origins can be traced back to the mid-1990s band God Is My Co-Pilot,
the line-up now consists of Mick Wilson, Saul Foster, and
Dave Keys. ...Tell Her on the Weekend features plenty of upbeat
melodic pop that sounds not unlike early 1990s alternative pop bands. Wilson's
tunes are smooth and easy on the ears...and the band's arrangements are
straightforward and sparse. The vocals are exceptional throughout, with
the lead vocals sounding decidedly genuine and sincere. As familiar as the
band's tunes sound, it is difficult indeed to come up with possible influences.
Like all good pop albums, the tunes on ...Tell Her on the Weekend
get better the more you hear 'em. While this band isn't breaking any ground,
they most certainly manage to provide solid, quality entertainment with
pure style. Top picks: "Bus Stop," "She Will Shine,"
"Baked Potatoes," "Lagoon." (Rating: 4+++)
Spalding
Rockwell - Kate (CD, Defend
Music, Techno pop/dance/electronic/rock)
When we first popped this in we thought...Oh no...another generic electronic
pop crap duo. But after a minute or two we realized that there is actually
a lot more going on with the women in Spalding Rockwell. The band
is the duo of ML and Nikki...two ladies who don't seem comfortable
sticking with one particular style or genre. While the tunes on Kate
could loosely be lumped into the electronic dance category, there are actually
many other elements swimming around in the mix. The band sounds something
like a louder, more experimental, and more industrialized version of Azure
Ray (the vocals are particularly similar in some of the softer tracks).
These compositions range from cute to harsh to peculiar. It is ultimately
the duo's tunes that separate them from the pack. Not all the cuts work..."Kissing"
and "Flake" sound a bit calculated. But other cuts like "Ingrid,"
"Masha," "Karahi," and "Outro" are uniquely
inviting. Strange stuff, on the outer edge of the dancefloor... (Rating:
4+++)
Tracy
Spuehler - It's the Sound (Independently
released CD, Pop)
When we first considered the facts about young Tracy Spuehler...we
fully expected It's the Sound to be one of those discs that we just
wouldn't like. Not only has one of her songs been used in a commercial for
Nissan / Altima (barf!)...but she also has a day job as a producer
for slop/crap outlets like MTV, VH1, and CMT (double barf!). Well
the proof is in the grooves, so they say...and despite her seemingly overtly
commercial credentials...Tracy Spuehler is actually a credible and entertaining
singer/songwriter with real integrity. And her music is surprisingly sincere.
Instead of predictable inane dribble...the tunes on It's the Sound
are thoughtful and sensitive...and they feature wonderfully addictive melodies
that show off Spuehler's super smooth voice. This is a very cohesive collection
of tunes from start to finish. Tracy covers human topics in her lyrics...while
never trying too hard to get her point across. The album is well-recorded...but
not overtly slick. Overdubs are used sparingly...allowing the listener to
focus on the songs themselves. Superb pop numbers include "It's the
Sound," "Time," "Tell Me That," and "Broken
Melody." Tracy has a sound and style that is not unlike Suzanne
Vega...while at the same time having a sound and vision that are truly
her own. (Rating: 5)
Summer
Darling - I Know You - I Never Knew You
(Independently released CD, Progressive pop)
Nice, smooth, understated melodic pop. Based in Silver Lake, California,
Summer Darling is the trio of D. Rossiter, H. Bray,
and B. Heywood. The band enlisted the assistance of Frank Lenz
to record and mix this album. Though it may take several spins to kick in...when
this CD sinks in it really sinks in. Our first reaction was that
this was a nice album with some soft, smooth pop tunes. After spinning the
disc ten or more times...the substance inherent in the music became apparent.
These three folks have a real gift for writing tunes that are genuine and
sincere...and they really don't sound much like other artist(s) currently
on the horizon. We can hear traces of a variety of artists here...Simon
and Garfunkel, Low, and even very early Rick Springfield.
The band's use of male and female vocals...combined with their superb attention
to detail...makes their tunes really stand out. Smart lyrics complete the
picture...making I Know You - I Never Knew You an absolutely essential
portrait created by a band that most people are probably not even aware
of. Excellent songs include "You Always Sleep With Your First Love,"
"Queen of Pasadena," "Gloria," and "Set Yourself
Aflame." Rarely are independently released CDs this focused. Excellent
from start to finish. (Rating: 5+)
The Telescopes - Altered Perception (CD, Space
Age Recordings, Hazy rock/pop)
The last release from Britain's The Telescopes (Third Wave,
2002), was easily one of the top albums of the year. Full of swirling, surreal,
trippy compositions, the album was an instant favorite in the offices of
babysue. This, the follow-up, is a collection of previously recorded
and unreleased tracks that date all the way back to the days when the band
was on Creation Records. Not surprisingly, the band's earlier recordings
are rougher and infinitely more accessible...focusing more or guitars and
vocal melodies. Some of these tunes even sound reminiscent of American sludge/doom
music from the 1990s (?!?). The tunes that hint at the shape of things to
come ("16T#3," "From the Inner Void I Fear...") are
the best cuts here...offering glimpses of the mind numbing psychedelia the
band was heading towards. This is an intriguing look back at one of the
most peculiar bands ever...as it certainly whets the appetite for the band's
next full-length. (Rating: 4+++)
Timewellspent - Timewellspent (CD, Parasol,
Soft pop)
Cool, dreamy, soft, atmospheric pop. Timewellspent is the Fort Lauderdale-based
duo of Casey Fundaro and Christopher Moll. Both write the
music while Fundaro writes all the lyrics. Moll plays most of the instruments...including
guitars, piano, organ, percussion, and more. Fundaro (nephew of Three
Dog Night's Danny Hutton) and Moll are well-suited for one another.
Their minds come together to create absolutely wonderful subtle tunes that
sound like heaven in a convenient digital format. The vocals are breathy
and subdued...and the arrangements are extraordinarily tasteful. The top-notch
mixing was provided by producer extraordinaire Thom Monahan (of the
Pernice Brothers)...so you know everything sounds great (!).
The lyrics are well above average. Our favorite line is from the tune "Millionaire":
I want to be a millionaire, maybe then I'll know you'll stay. Poignant
to say the least. Timewellspent is a well thought out project from start
to finish. The duo's music has a classic sound that will surely stand the
test of time. Soothing light pop tunes include "Hello," "Anyone
To Be," "Sitting By The Window," and "Goodbye."
An excellent spin. (Rating: 5+++)
Mike
Van Portfleet - Beyond the Horizon Line
(CD, Silber, Ambient/eclectic/instrumental)
Beyond the Horizon Line is an excellent example of why Silber is
such a gratifying and rewarding label. This is Lycia member Mike
Van Portfleet's first solo album without the band. The compositions
are stark, fragile, ambient, ethereal, and soothing. Instead of using traditional
elements in his music, Van Porfleet creates soundscapes that don't necessarily
rely on melody or structure in order to create the intended mood. The overall
effect is subtle and slightly eerie...with some wonderfully icy lead guitar
occasionally drifting in and out of the picture. This disc could either
be used as mood enhancement or as a soundtrack to use while watching videos.
The packaging features some absolutely beautiful photography. Destined for
obscurity, Beyond the Horizon Line presents unusual sounds for unusual
places. Truly lovely stuff. (Rating: 5)
Velvet
Crush - Stereo Blues (CD, Action
Musik, Pop)
Velvet Crush is one of the best pop bands out there...having
been together in some form or another for about 20 years. That said, Stereo
Blues is not the band's strongest album. There are some real gems to
be found here ("Do What You Want," "The Connection")...but
there is also a lot of filler. Part of the problem with this album is that
the band's output over the past five years has been so strong that it would
be difficult to keep the quality pumping at the high standard the band had
set for themselves. After the release of this album, the band will be touring
with Matthew Sweet...so perhaps the renewed excitement of playing
live will put some more punch in their next batch of tunes. One thing is
for certain...don't discount Velvet Crush just yet. These guys have an amazing
ability to bounce back when other bands would simply give up or fade away.
Stereo Blues is a good album...but not a great album... (Rating:
4++)
Acme Rocket Quartet - Sound Camera
Vince Allen - Pie
The Alternate Routes - Over Your Shoulder
Amber Pacific - Fading Days
Angel - Believe in Angels Believe In Me
Anthony - Neu York
Argo - Jet Packs for Everyone
Athens Boys Choir - Rhapsody in T
Avenpitch - Avenpitch
Ballentine - 4U
Lloyd Banks - The Hunger for More
Bilge Pump - Let Me Breathe
Blessed Light - Love Lights the Way
Allison Branan - Allison Branan
Paul Brill - New Pagan Love Song
Daniel Carter - Revival
Chronic Future - Lines in My Face
Coastal - Halfway to You
Confuse Yr Idols - A Tribute to Sonic Youth
Cool Hand Luke - The Fires of Life
Corporate MF - The Royal We
Crazy Man's Basement - There and Back
The Datsons - Outta Sight/Outta Mind
Dosh - Naoise E.P.
Mark Drake - I Don't Write Love Songs
Dropbox - Dropbox
Dwarves - The Dwarves Must Die
Emperor X - Tectonic Membrane / Thin Strip on an Edgeless Platform
Epic45 - Against the Pull of Autumn
Fireworks Go Up! - You're Welcome
Fiver - Let It All Fall Down
The Flesh - Sweet Defeat
For Against - Echelons
The Frenchmen - Sorry We Ruined Your Party
Gatsby's American Dream - In the Land of Lost Monsters
Goose Vargis - Goose Vargis
The Grackles - Honeypot
Brian Hartzog - One-Way Ticket
Helmut Vision- PH10 in...
The Hentchmen - FormFollowsFunction
The High Water Marks - Songs About the Ocean
Michael Hirsch - Lofi Holiday
Casey Holford - Bad Spell Good Spell
IAMX - Kiss and Swallow
Jadakiss - Kiss of Death
Bill Janovitz and Crown Victoria - Fireworks on TV!
Jason Walker and the Last Drinks - Ashes & Wine
Jeremiah and the Red Eyes - Red Eyed and Restless
Junior Jack - Trust It
Burton L. - Spy Life
Mantler Landau - Mantler Landau
Langtry - As Upon the Road Thereto
Keyth Lawrence and the Purple Circle - Figures
La Pieta - Summer
Leaving Rouge - White Houses
Lennon - Career Suicide
Lockgroove - Calm Right Down
Logh - The Raging Sun
Lonesome Brothers - Fences
Lovedrug - Pretend You're Alive
Bill Madden - Samsara's Grip
The Mae Shi - Terrorbird
Mandarin - Fast>Future>Present
Adam Marshall - The Last Marshall
Matt Sandy Band - Matt Sandy Band
Matter - Make A Difference
Memo and Friday - Present Holiday Fever
Migala - La Increible Aventura (CD/DVD)
Ming and Ping - Mingping.com
Mission Giant - Brotherhood of the Plug
Mission to Mars - Lasterday
Monstrum Sepsis - Doors and Windows
Morthem Vlade Art - Slow Wave Sleep: Retrospective 1998-2002
Mother Goose - "Schizo Ladies" b/w "Rondo Fennoscandia"
(45)
Mourning September - A Man Can Change His Stars
Mrnorth - Lifesize
Nation of Two - The Kingdom
The New Transit Direction - Wonderful Defense Mechanisms
Odds Against Tomorrow - Nights. Not. End.
Old Canes - Early Morning Hymns
The Only Constant Is Change - Unreleased and Rare Tracks - Various
Artists
Only In Dreams - Under This Burning Sky
Otasco - This Product is Extremely Delicious!
The Nice Device - Birth of a Lover
Patriotic Country - Patriotic Country
Paulson - Variations
Pleasant Stitch - Capacitor
Pleasurecraft - Lost Patterns
Poor Boy - Songs of Nick Drake
Stan Ridgway - Snakebite: Blacktop Ballads & Fugitive Songs
Roadkill (DVD)
The Rumble Bees - Be Pretty, Be Naked, Be Quiet
7th Dimension - Sex, Light and Rock 'N' Roll
The Seamonsters - Turning Tide
Solvent - Apples and Synthesizers
Sprezzatura - Hirameka Hi Fi
State of the Union - Inpendum
State of the Union - Timerunner
Rick Stone - Turn Me On, Turn Me Out
Sucka Brown - Sucka Brown
Sunday Velvet - All That God Only Knows (Demo #3)
35 Days in May - Tales & Destinations
Thebrotherkite - Thebrotherkite
Tiger Saw - Gimme Danger / Gimme Sweetness
Tober - Harajuku No Emo Ko
Triggerbox - Triggerbox
Troy Taroy - Employee of the Month
Tracy Shedd - Louder Than You Can Hear
Trigger10d - ...But the Girl's the Same
Tuck and Patti - A Gift of Love
Turfwar - Chrome to the Dome
The Umbrella Sequence - The Disappearing Line / Athena
Upstairs at Larry's - Lawrence Welk Uncorked
Valerian - Intimations of Sorrow
Vero - How Does It Feel
ViV - Flawed
Waterstreet - Osmosis
Mike Watt - The Second Man's Middle Stand
Wolves (of Greece) - Wolves (of Greece) (10" Vinyl EP)
World/Inferno Friendship Society - Speak of Brave Men
Yellowcake - Since You Ruined the Earth
Yesterday's Rising - When We Speak, We Breathe
Young Heart Attack - Mouthful of Love
Zug Izland - 3:33
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